Courses

Comparative literature is an innovative and interdisciplinary field of study. We consider the power of cultural expression, working across and between traditional national, linguistic, and disciplinary boundaries to generate new knowledge. Our programs of study are anchored in thoughtful, engaged, and ethical practices of reading, viewing, analysis, discussion, and writing as we situate the books, poems, films, performances, and works of media and visual culture we examine in local, global, and planetary frames.


Explore Comparative Literature Courses

The University of Oregon course catalog offers degree plans and a complete list of courses in the Department of Comparative Literature.


Featured Courses

Surreal painting of a living room with train emerging from chimney

COLT 410 - Surrealism and Psychoanalysis    
Instructor: Jeffrey S. Librett

Surrealism was an avant-garde movement in literature, the visual arts, and film that arose in the France of the 1920s, in the wake of the manifold horrors and disillusionments of World War I. One main source of inspiration for the movement was Sigmund Freud’s psychoanalysis, a theory of the human that posited the unconscious mind as the center of the psyche, and the dream as the “royal road” to the unconscious. Accordingly, we will study Freud’s theory of dreams and the unconscious, and then its application and displacements in surrealism. Students will have room to focus on their chosen surrealist artefacts and theory outside the list for some writing assignments.

Still from anime depicting a worrier with a wolf in the background

COLT – 360 Gender and Identity in Literature: “Constructing Otherness: Literature of Nonconformity”    
Instructor: Matthias Kramer

How do we come to know something to be different? What makes one identity “normal” and another nonconforming, and how is this decided? How do identities become represented in literature, and how does representation condition identity and vice-versa? How does otherness come to be gendered, racial, classed, and/or based on (dis)ability, and how do these categories overlap and compound one another?  In this mid-level Comparative Literature course, we will begin to answer these and other questions by reading and comparing literary and filmic texts from around the world that illustrate, dramatize, or symptomize the conditions of otherness and nonconformity.

Old painting of a ship  with clouds in the background

COLT - 211 Comparative World Literature, World Literature and the Oceanic Turn    
Instructor: Mus’ab Abdul Salam

In its celebratory iteration, world literature demarcates a space where diverse national literatures of the world come together. While some scholars find this a promising notion, others understand world literature to be an imperial and violent project that homogenizes the literatures and related practices around the world. In this course we will look at different sides of this debate to consider if and how a comparative perspective can inform a position vis-à-vis world literature. The works included in the syllabus are meant to be taken as a springboard for further reading and discussion and not as exhaustively representative of languages, cultures, genres or scholarly positions.


2024-25 Upcoming Courses

Course Number

Course Name

Instructor

COLT 103 

Intro Comparative Literature

Dawn Marlan

COLT 211

Comparative World Literature

TBD

COLT 212  

Comparative World Cinema

TBD

COLT 232

Literature and Film

Balbuena

COLT 301

Approaches Comparative Literature

Brundan

COLT 305

Cultural Studies

Balbuena

COLT 360

Gender and Identity in Literature

TBD

COLT 380

Top Cinema and Sound

Brown

COLT 380

Top Asian Horror

Brown

COLT 403

Thesis

TBD

COLT 405

Reading

TBD

COLT 415

Capstone Seminar

Marlan

COLT 450

Top World Drama

TBD

COLT 550

Top World Drama

TBD

COLT 601

Research

Staff

COLT 603

Dissertation

Staff

COLT 605

Reading

Staff

COLT 607

Seminar: Decolonial Thinking

Gopal

COLT 614

Grad Studies Comparative Literature

Presto