Faculty

Kawai reconnects with Indigenous roots while creating a new Eugene-based feature film

CINEMA STUDIES — Associate professor Masami Kawai is making her first feature film, "Valley of the Tall Grass." It is both a personal journey and a community-centered story that expands the landscape of Indigenous filmmaking and invites audiences to consider the stories, people and objects we too often overlook. She's using Eugene, Oregon, as the backdrop.
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New religious studies professor brings fresh insights on the big questions of life

RELIGIOUS STUDIES — Lily Vuong is the newest member of the Department of Religious Studies. Her work examines Christian apocryphal literature — a vast collection of popular writings that feature tales about Jesus, his family, and immediate followers — through feminist, literary, and historical lenses to explore gender and identity in the Greco-Roman world. 
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Everyone Loves to Hate the Joker

COMICS AND CARTOON STUDIES, DISABILITY STUDIES, ENGLISH - What makes the comic book villain the Joker such a popular antagonist for Batman? It’s one of many questions Professor Elizabeth Wheeler examines in her latest research paper, “The Joker’s Shifting Face: Eighty Years of Mad History in Batman and American Culture.”

The Show Must Go On

ENGLISH - The London Stage Database, a groundbreaking digital catalog of theater performances in London between 1660 and 1800. Hosted at University of Oregon, the database includes dates and locations for more than 52,000 action-packed nights at the theater, along with titles and cast lists for each evening’s entertainments; ticket-sales figures; and critical commentary.

New classics professor offers new perspectives on ancient history and travel hacking

CLASSICS – As a new tenure-track faculty member in the Department of Classics, Ximing Lu is prepared to contribute his expertise in both research and teaching, offering students new perspectives on ancient history intertwined with modern scholarship. He also has a lot to teach on the subject of travel hacking.
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